Moving anchor points to precise locations locally or globally is something that is practically nonexistent in Ae. Move Anchor Point 4 graduates from a script to an extension, and that means a new install routine as well as a new and customizable interface. Users can show and hide the parts that you need to give yourself more real estate in your project. The new preference panel lets you show or hide each section of the UI and even change the size.
The latest version allows you to match points from multiple layers to any other in After Effects with a click. With your layer selected you can easily change its anchor point position like this. You can duplicate it, as many times as you need. You can split it. And delete it. All these actions work width multiples layers too. You also can precompose one or multiple layers.
The script will automatically move all attributes to the new composition. You can also give a custom name to your new pre-comp. Using this script you can change the start point and the end point of your layers very easy too. Let's move to the keyframe manipulation zone. Most of the times, if you want to create a smooth animation, you can't just leave the keyframes linear.
Using my script, with only one click you can easy ease them. Easy ease in, and easy ease out also. You can time reverse keyframes. And even time reverse layer. You can also reveal all the properties width keyframes. And it works with multiple layers too. Also, the delete button can be used for the keyframes too. If you need to move on your timeline, is easier to jump 5 frames, 10 frames or 15 frames forward.
Or 5, 10 and 15 frames backward. But you can also jump to any amount of frames, using any of the positive buttons to move forward. And any of the negative buttons to move backward.
From my own experience, and after doing research too, I realized that the most frequently used effects are: fill, tint, fast blur, glow, ramp and curves. To apply them to a layer, usually you have to search for the fill effect, and apply it.
Then search for the tint effect, and apply it. Then search for the fast blur effect and apply it. And so on Using EZ tools you can do this in a second. The custom move section is used when you need precise control of the anchor points that are not available with the grid-presets.
There are three input boxes corresponding to the X, Y and Z positions respectively. Values that are set in the custom move options are always relative to the top-left corner of the layer. If px is selected, values you put into the axis input-boxes will be the number of pixels away from the top-left corner of the layer. If you are in object mode and you set a Z percentage, it will be disregarded as layers by themselves do not have any depth. This option is only used in 'Selection' mode.
A value of 0 for all axes would put the anchor point in the top-left corner top-left-front if working with z-space. They can also be set to negative values. Custom moves can be saved in to presets. Creating presets is described below. Match moves allow you to match the anchor point of a selection of layers to the anchor point of another layer.
A basic match allows you to manually select a group of layers and move all of their anchor points to match the position of the last layer in the selection. The last layer in the selection refers to the order in which the layers were added to the selection, not the layer order. This will allow you to select multiple layers. The 'key' layer will be whichever layer is selected last.
Once you have made your selection and click the 'Match' button, all of the selected layer's will have their anchor point moved to match the anchor point of the 'key' layer.
Searching works by matching corresponding layer names. A layer corresponds with another layer if the name, minus the search term is the same as another layer. For the Match Layers with input, we would type Hand. For to , we'd select each corresponding layer.
For with we'd type Wrist. These options are meant to read as a sentence: Match layers with "Hand" to each corresponding layer with "Wrist". Because our layers are named in a consistent way, when this search runs, it will be able to match against "Left" and "Right" to find the corresponding layers. The left hand's anchor point will move to the left wrist's and the right hand's will move to the right wrist's anchor point.
This was a simple example, but if you have many layers with consistent naming conventions, "Search Matching" would be able to move them all with just a single click. In this case, please use Google DNS and you will get rid of trouble.
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